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Why media fans want to escape algorithms with CDs, DVDs and vinyl

theguardian.com68 points105 comments
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A group of media fans report a deliberate return to CDs, DVDs, vinyl and cassettes as a way to escape algorithmic curation, protect their collections and reclaim control over what they consume. Interviewees cite concrete reasons: a university lecturer (Ash, 52) says streaming turned listening into passive playlisting and he’s rebuilt a 5,000-item physical collection to restore album-focused engagement; a compliance manager (CJ, 55) points to HBO’s removal of Sesame Street episodes and now scours flea markets to own shows that can vanish from platforms; a retiree (Ruth, 67) keeps 5,300 CDs to support musicians and avoid cloud storage failures in rural internet; a software engineer (Antonio, 40) buys secondhand CDs twice a month to avoid subscription price rises and corporate data collection.

Beyond ownership and permanence, fans highlight ritual, sound quality and intimacy as motivations. A 26-year-old collector (Quinn) values cassette culture for its restrictions and direct artist support; a Stockholm academic (Tim, 61) enjoys the deliberate setup of DVDs and family viewing rituals; a Los Angeles librarian (Sophie, 32) prefers physical formats to avoid being tracked or analyzed. Together these accounts argue that physical media restores agency, privacy and slower, more intentional engagement with music and film.

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